Mark Fitzgerald's Adobe Photoshop Lightroom and Photoshop Workflow Bible PDF

By Mark Fitzgerald

ISBN-10: 0470303093

ISBN-13: 9780470303092

The electronic photographer's workflow is split into exact elements - the construction Workflow and the inventive Workflow. The construction workflow is used to import and set up huge numbers of pictures, and get ready them for presentation through evidence printing, net, or slideshow. more and more, photographers are turning to Adobe's acclaimed new Lightroom software program to control this a part of the workflow. After the simplest photos are pointed out, photographers movement to the second one a part of the workflow, the inventive Workflow, to fine-tune particular pictures utilizing quite a few complex electronic instruments in order that the inventive imaginative and prescient is discovered. an overpowering majority of electronic photographers use Photoshop for this complex modifying.

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What’s more, nearly all the photographs you see on the Internet are JPEG files — at least the ones that look good. That’s because JPEGs can be compressed to very small sizes, which is perfect for online delivery or e-mail where quality isn’t as important. qxp 7/30/08 12:52 PM Page 27 Understanding Image File Basics NOTE The JPEG file type is a capture file type and an output file type. The same is true for TIFF. Camera raw Camera raw files get their name from the kind of information they contain.

The photographers who tend to use the descriptive name method are mostly portrait and wedding photographers who are more oriented to locating jobs by the client’s name. They don’t always find it useful to spend lots of time organizing these jobs with keywords, because once the job is completed, they most likely won’t be going back to those images very often. Also, if they use keywords with the client’s name, then their keywords list becomes filled with keywords that are never used. Photographers who don’t fall into either of these camps tend to use a blend of the two naming systems.

A typical 12-bit raw file captures 4096 distinct tonal levels within a six-stop range. Because this is a linear capture, a full 50 percent (2048 levels) of the file’s tonal information is devoted to the brightest stop of information. 3. 3 A typical raw file covers about six stops of exposure with 4096 tonal levels recorded. Because raw files are linear, they devote a large amount of their capturing ability to recording highlights and a small amount to recording shadows. NOTE Some new, higher-end dSLR cameras are capable of capturing 14-bit raw files that capture 16,384 tonal levels.

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Adobe Photoshop Lightroom and Photoshop Workflow Bible by Mark Fitzgerald

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