Mark Galer's Adobe Photoshop Elements 6 Maximum Performance PDF

By Mark Galer

Unharness the hidden capability for pro photograph modifying in Adobe® Photoshop® components with this project-based, real-world guide.

Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer famous and strongest post-production enhancing options Adobe® Photoshop® components has to provide. crafty tips and shrewdpermanent workarounds assist you to create expert photos with out gains from the whole Adobe® Photoshop® package deal that you just desire yet don't need to pay for - practice projects you did not imagine have been attainable in Adobe® Photoshop® Elements!

Whether you are an imaging expert or a images fanatic, this booklet can help you get the utmost functionality out of your software program. learn the way to:
* Create amazing results with out advertisement lighting fixtures or studio equipment
* expand the dynamic diversity of your camera by way of merging a number of exposures
* Optimize, increase and montage photographs with beautiful results

The accompanying DVD offers vast aid with motion picture tutorials for all initiatives, excessive solution pictures, multilayered records of accomplished initiatives, a inventory library and a keyboard shortcut guide.

Mark Galer is a contract photographer, comprehensive lecturer and best-selling writer of quantity books on images. he's an reliable Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® components.

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Extra resources for Adobe Photoshop Elements 6 Maximum Performance

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Sharpening Just as a white balance setting can be applied across multiple images open in Adobe Camera Raw, the same batch processing can be achieved when sharpening images. Although the sharpening controls have vastly improved in the Adobe Camera Raw interface for Elements 6 it is still recommended that you sharpen in the main editing space to achieve maximum performance when sharpening (see Project 7 - Sharpening). Set the magnification of the image to 100% before sharpening any image in Adobe Camera Raw as the results are not visible at smaller magnifications.

In this way you will have one original and one enhanced/stuffed file just for good measure. You can now lie down for five minutes to rest the gray matter and then return to your enhanced/stuffed file - go to the Select menu and choose ‘Load Selection’. 17 Part 1: Optimize 9. With the marching ants running rampant all around your selected pixels I now want you to find the Layers palette. If it is hiding then you can summon it up from the depths of oblivion by going to the Window menu and selecting - yes you guessed it again - ‘Layers’.

The camera then compresses the bit depth of the color data from 12 to 8 bits per channel before saving the file as a JPEG or TIFF file. Selecting the Raw format prevents this image processing taking place. The Raw data is what the sensor ‘saw’ before the camera processed the image, and many photographers have started to refer to this file as the ‘digital negative’. This digital negative allows you to take control over the conversion process to access maximum quality. RAW IMAGE ON DVD For maximum quality choose to save your files using the camera Raw format.

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Adobe Photoshop Elements 6 Maximum Performance by Mark Galer


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