Adobe Photoshop Elements 3.0: Photographers' Guide - download pdf or read online
By David D. Busch
A great advent to Photoshop parts three that may attract photographers relocating from conventional movie and darkroom printing to electronic images. whereas this e-book does not enterprise too a long way into 'advanced' recommendations, and does not discover the 'hidden good points' pointed out in another parts publications, it does disguise the entire necessities and comprises a few beneficial information and methods. Comparisons with movie digicam and darkroom suggestions will attract conventional photographers.
If you are new to parts, this consultant provide you with a radical grounding, but when you have been utilizing parts for your time and are searhing for extra complex ideas then you will likely locate one other ebook extra attention-grabbing.
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Extra info for Adobe Photoshop Elements 3.0: Photographers' Guide
10 Fading the zoom blur to 71% makes the image a little more recognizable. 9. Be a little creative if you like. 6. Then, I used an eraser with a large, soft brush to selectively erase part of the blurry layer, creating an image that is sharp in the center, and becomes dramatically zoomed everywhere else. 11. Zoom blurring works especially well with sports events, rock concerts, and other fast-moving situations where a little blur can liven up a photo. 11 Combining a blurred image with the original selectively gives you a picture that looks like this.
The technique is fairly easy to achieve with a conventional camera, especially one with manual controls: simply take a picture using a shutter speed that is slow enough to let you zoom your lens during the exposure. Depending on how quickly you can zoom with your left hand on the lens barrel after you’ve pressed the shutter release with your right hand, a motion-zoom of this type can be made successfully at speeds from 1/30th second or slower. Zoom in or out, as you prefer, and use a tripod with longer exposures if you want the smoothest effect.
If your grid’s squares are too large, use Edit > Preferences > Grid to define a grid layout. I chose one line every 200 pixels for this project. 5. Use the Rectangular Marquee tool to select only the image of the tower, not the blank space you created around it. 6. Choose Image > Transform > Perspective to activate Elements’ distortion feature. 3 This arch appears to be falling backwards, because the camera was tilted up to shoot the picture. 4 The Grid helps line up your image as you change its perspective.
Adobe Photoshop Elements 3.0: Photographers' Guide by David D. Busch