Download e-book for iPad: Adobe Photoshop CS4 for Photographers: The Ultimate Workshop by Martin Evening
By Martin Evening
Specialist advertisement photographer and electronic imager Jeff Schewe (based in Chicago, united states) has teamed up with best-selling Photoshop writer Martin night to create this goldmine of data for advanced Photoshop clients. development on Martin Evening's profitable Adobe Photoshop for Photographers sequence of titles, this new consultant takes an identical successful approach and applies it to a expert Photoshop workflow. hugely visible, with transparent, step by step tutorials, this complex advisor will quite attract those that are looking to see how the specialists process Photoshop, producing consistent top-quality effects on time and to price range. The authors describe intimately how you can perform a few of their favourite Photoshop photo enhancing and retouching ideas using examples taken from real-life expert shoots. The innovations defined right here do not simply express you shrewdpermanent belongings you can do in Photoshop, they exhibit how one can use Photoshop in a qualified context, assembly the calls for of artwork administrators and gratifying tough briefs. hugely useful, specified and encouraging, this is essential analyzing for all specialist and aspiring specialist photographers, and an individual else trying to find top quality effects utilizing Photoshop. * Gain a distinct perception into a professional Photoshop workflow, with specialists Martin night and Jeff Schewe* develop into a retouching grasp with complicated protecting and compositing recommendations* arrange your pictures for the very best output
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Additional resources for Adobe Photoshop CS4 for Photographers: The Ultimate Workshop
0 Radius, 25 Detail and 0 Masking. These settings offer a reasonable starting point for most images, so even if you do nothing Camera Raw applies an appropriate level of capture sharpening. Sharpen for content It is important to adjust the capture sharpening for the needs of the individual image. Once you have got the capture sharpening tailored to the requirements of each photo, the output sharpening that is applied at the end will be the same for every image. We’ll be looking at the sharpening workﬂow a little later in this chapter.
2 and above) as well as Adobe Photoshop Lightroom. Unfortunately, Bruce passed away before seeing the results of the collaboration but I ﬁlled in for Bruce and helped complete the project. We’re sure he would have been pleased. Capture sharpening workﬂow In the ‘old days’ the common wisdom was to only sharpen images at the end prior to printing. That worked ‘OK’ but was far from optimal. 0 days, but updated his thinking while working on PixelGenius’ PhotoKit Sharpener™. The scheme was to break down the sharpening into three phases: ‘Capture Sharpening’ upon ﬁrst opening an image, ‘Creative Sharpening’ for addressing local sharpening or smoothing, and ‘Output Sharpening’ at the last stage when the ﬁnal size and resolution of an image is known.
25 An example of an image with high frequency edges. Lots of alternating lights and darks and small detail. 6 and the Detail slider set to 65. Notice the Masking is still being used at a low setting and Luminance noise reduction has been applied. 26 The image has been opened in Photoshop as a Smart Object. The bottom layer has been duplicated using Layer ➯ Smart Objects ➯ New Smart Object via Copy and a layer mask has been applied so the copy layer will only be blended in the center. 48 For images with high frequency edges – which are common for landscapes – the radius should be lowered and often the Detail slider increased.
Adobe Photoshop CS4 for Photographers: The Ultimate Workshop by Martin Evening